Comparing Domes of Architect Sinan to Renaissance Architect Palladio, Essay

Comparing Domes of Architect Sinan to Renaissance Architect Palladio, Palladianism - Essay ExampleOn the other hand, peerless of the associations coming to ones sagacity with a dome is the centrepiece symmetry. It serves for the harmony of the building and the place where it is located. Following in keeping with the best traditions of Vitruvius and Alberti, two architects are highlighted so that to point appear the use of the dome in their works. The comparison of the works by both architects is not a mere attempt to find out who was the best, but to maneuver off where the edge between different cultures went through the aesthetic sensitivity of a mans feeling and vision of what he/she feels. A delicate connection in the use of dome in the architectural ensemble by Sinan and Palladio re-unites Eastern and Western culture and religion in a crotchety way. First off, it should be mentioned that the medieval computer architecture was full of the slight overlapping of new styles whi ch layered the old ones in a peculiar and sophisticated way. In this respect it is necessary to mention that the Romanesque style was followed by the Gothic style and then appeared so-called Mannerism. In this gradual follow-up, there were plenty of the architects able to render something new to the development of the overall look of the architectural ensemble in its connection to the place, epoch, people, and religion (one of the most important constituents underlined in the paper). Thus, the works of Sinan as the one of the most famous architect of his time across the Ottoman Empire go first in this enthusiastic analysis on the worlds architectural heritage. The mosques made by Sinan cannot but inspire to the deepest strings of a mans soul. Creating his magnificent mosques during the time of more than 50 years, the 16th deoxycytidine monophosphate Turkish architect felt a Brobdingnagian desire to never stop on using dome as the core idea of Islam, so to speak (Roose, 2009). The perfection seen on the example of Sehzade Mehmet Mosque outlines the uniqueness in how Sinan approached toward the glory of God seen on the example of patterned fornications. With the greatness of the Sinans creations, the classical architecture of the Ottoman Empire reached its pinnacle (Celik, 1993). Nevertheless, being Sinans first major work built in 1545-1548, it was well appreciated by the contemporaries for the provide geometry and the arrangement of the domed hall (Moffett, Fazio, & Wodehouse, 2003). Apparently, the link between the central dome and half-domes illustrates the Islamic multifaceted implementation of the gorgeous ornaments. To say more, the dome was inserted with a huge passion of Sinan who tried to engrave the memory of the sultan Suleymans son Mehmet (Foster, 2004). What is more important, the construction of the columns supporting the dome in the mosque is also make in a symmetrical proportion, so that to shed light on the logic of the architectural form. Coloured stones and the mosaics incremented in the interior part of the dome of the Sehzade Mosque are done with the pure genius of Sinan. It means that the glory of the Ottoman classical architecture is rooted to the picturesque and full-of-wealth representation of the religious tradition throughout the Empire. Admittedly, Sinan felt his tariff for praising Islam in terms of the architecture. Hence, his first mosque proved this idea right. Another Example of Sinans talent, as an architect is Selimiye Mosque. Built by Sinan in 1575 in Edirne, Turkey, the mosque is full of the architect